Difficult to categorize, the pictures are commonly described as studies of modern alienation, or the failure of human communication.
Though I probably would have preferred a commentary the interviews are a concise examination of the film. The shots can be disorienting, but angles are never chosen simply for pictorial effect. Have they learned anything. Faced with the reality of their increasingly loveless union, they will have to decide whether to stay together or move on.
The slightly jaded, self-obsessed Giovanni is so caught up in complacent comfort that his handsome face seems drained of real emotion.
Some shots are so absolutely wonderful I only wish I had a way of capturing images direct from the Blu-ray to share with you. His character Tommaso begins the film with a burst of honest emotion that affects everything that follows. Lidia begins to flirt with a globe-hopping playboy, Roberto Giorgio Negrowhile Giovanni becomes fascinated with Gherardi's twenty-something daughter Valentina Monica Vittiwho he finds reading his new book.
Just as you may not initially know a friend is having trouble, sooner or later the signs begin to add up. Emily was able to cry on cue in a monologue she performed from La Notte.
Though the climax offers some semblance of traditional drama, for the most part, these instances are all free from conventional beats and developments. Their feeling of emotional deadness is never difficult to understand.
Though I probably would have preferred a commentary the interviews are a concise examination of the film. La Notte is a film that comes across as occasionally surreal, but a lot of that is owed to the master filmmaker behind the camera. The first thing we see is a shot of a glass tower blocking our view of an older, traditional building.
Giovanni takes Lidia utterly for granted. She condensed the tome of transcribed papers to a slim page paperback and reduced the character count to three.
German actor Bernhard Wicki was also a prolific film director. Giovanni behaves as if he were free to toss his life away and run off with the first interesting woman he sees, something that Valentina is wisely aware of. They go to a party where they both are so clearly uninterested in the social circle they travel in.
Criterion's Blu-ray of La Notte is a marvelous encoding of Michelangelo Antonioni's B&W masterpiece, conveying the many textures in the cinematography of Gianni Di Venanzo (Salvatore Giuliano, Juliet of the Spirits).
When Lidia rides in the playboy's sports car, a downpour sends curtains of water pouring down the windows - the minimalist.
The concluding chapter of Michelangelo Antonioni’s informal trilogy on contemporary malaise (following L’avventura and La notte), L’eclisse tells the story of a young woman (Monica Vitti) who leaves one lover (Francisco Rabal) and drifts into a relationship with another (Alain Delon).
Using the architecture of Rome as a backdrop for the doomed Director: Michelangelo Antonioni. One of the masterworks of s cinema, La notte • page booklet with a new essay by film-critic and scholar Brad Stevens, and the transcript of a lengthy Q&A conducted in with Antonioni upon the film’s release.
ADDITION: Criterion - Region 'A' - Blu-ray. Oct 29, · Those are our Three Reasons. What are yours? Out now on Blu-ray and DVD: olivierlile.com Criterion presents 'La Notte' in their standard clear keepcase with spine number The BD Region A disc comes packaged with a booklet featuring an essay by critic Richard Brody and an article by director Michelangelo Antonioni.
Antonioni's masterful direction of the psychological effect of enviornment upon our psyche and his extraordinary use of the close up in his brilliantly stark cinematography make.
La. Notte one of the great definitive achievements of/5(63).La notte criterion essay