Aristotle mentions two features of the plot, both of which are related to the concept of harmartia, as crucial components of any well-made tragedy. His "hamartia" of pride and excessive faith in his own rule causes his downfall.
At first, he was not bad, but his beloved breaks his heart that turns him into bad man. Juliet acts like a dead person, and Romeo thinks her actually dead. Eventually, Will Sparrow kills him.
The tragic hero having all the characteristics mentioned above, has, in addition, a few more attributes. Let this rash man be led out of the way, who, my child, unwillingly slew you, and this woman, you, too—alas.
Many iconic characters featured in these genres follow the archetype of the tragic hero. This change occurs not as the result of vice, but of some great error or frailty in a character.
The characteristics of Tragic Hero According to Aristotle, in a good tragedy, character supports plot. He is basically a sea captain, who falls in love with the sea goddess, Calypso. Theories of the Theatre: He grows into a mixture of a humanoid and octopus, and leads his savage crew on raids in the entire sea on his ship, the Flying Dutchman.
Polyneices and his brother, Eteocles, were kings, and the former wanted more power, so he left and assembled an army from a neighboring city. An example of a mistake made by a tragic hero can be found in Sophocles' Oedipus Rex. Many iconic characters featured in these genres follow the archetype of the tragic hero.
Unless the conclusions of most tragedies are interpreted on this level, the reader is forced to credit the Greeks with the most primitive of moral systems. It gives more attention to personality than the dramatists intended and ignores the broader philosophical implications of the typical plot's denouement.
By good character, Aristotle means that they should be: He does accept some level of needing to relent, and in this, there is responsibility accepted, but it comes too little too late as he is unable to avert the suicides that result on the count of his own intensity.
The tragic hero is snared by his or her own greatness: Several of Aristotle's main points are of great value for an understanding of Greek tragic drama.
Some film historians regard Michael Corleone of The Godfather a tragic hero, although using traditional literary conventions, the character would more closely fit the role of villainnot tragic hero. A tragic hero is the protagonist of a tragedy in dramas.
In his Poetics, Aristotle records the descriptions of the tragic hero to the playwright and strictly defines the place that the tragic hero must play and the kind of man he must be. The tragic hero is a character of noble stature and has greatness. S/he must occupy a "high" status position as well as exemplify nobility and virtue as part of his/her innate character.
According to Aristotle, tragedy has six main elements: plot, character, diction, thought, spectacle (scenic effect), and song (music), of which the first two are primary. Eventually the Aristotelian tragic hero dies a tragic death, having fallen from great heights and having made an irreversible mistake.
The hero must courageously accept their death with honour. Eventually the Aristotelian tragic hero dies a tragic death, having fallen from great heights and having made an irreversible mistake. The hero must courageously accept their death with honour.
The purpose of a tragic hero is to evoke sad emotions, such as pity and fear, which makes the audience experience catharsis, relieving them of their pent up emotions. The tragic flaw of the hero leads to his demise or downfall that in turn brings tragic end.An analysis of tragic heroes according to aristotles definition